Flying Bark Reveals the Hybrid 2D/CG Workflow Behind Avatar Aang
Flying Bark Productions has revealed a hybrid 2D/CG production approach for Avatar Aang, combining hand-drawn expression with cinematic cameras and CG tools.
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SIGGRAPH 2026 Puts Games, AI and Neural Graphics in the Spotlight
SIGGRAPH 2026 highlighted the growing convergence of computer graphics, games, VFX, AI, neural rendering and immersive production.
Disney’s Live-Action Moana Uses Real-Time Visualization on Set
Disney’s live-action Moana used real-time production visualization to help filmmakers see digital environments and characters while filming.
Unreal’s Real-Time Rendering Push Continues Toward the UE6 Era
Unreal Engine’s real-time rendering developments continue to narrow the gap between game engines and cinematic production workflows.
Enola Holmes 3: Vine FX Delivers 150 VFX Shots
Vine FX delivered 150 VFX shots for Enola Holmes 3, combining invisible effects, animated typography, LiDAR-driven destruction and period clean-up.
Pixar’s Gatto Brings an Original CGI Adventure to Venice
Pixar’s original feature Gatto follows a black cat through Venice, creating a rich CG challenge involving water, architecture, atmosphere and stylised animation.
Juul Shows How CGI Animation Is Moving Beyond the Family Market
Belgian studio Fabrique Fantastique is developing Juul, a CGI feature aimed at young adults and adults and built around magical realism.
Take That’s ‘Sweet July’ Mixes Hand-Crafted Animation With AI
Take That's Sweet July combines illustration, animation, compositing and AI-assisted production while keeping artists at the centre of the visual design.