The latest developments across film, games, VFX, CGI, animation, music videos and digital production.
Zerply, the long-running VFX and animation portfolio and recruitment platform, is shutting down on September 28, 2026. Here is what artists need to save and do before the deadline.
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Reuters and CuttingRoom have integrated Reuters' MCP server with ShortCut, allowing newsroom editors to find, edit, caption and format Reuters video using…
Adobe's September 2026 update brings AI video generation, sound effects, AI Assistant and new post-production tools to Premiere Pro and After Effects.
Discover how Milk VFX used Unreal Engine, Houdini, USD and hybrid real-time workflows to build the prehistoric worlds and creatures of Surviving…
Prime Video is using AI and VFX to synchronize actors' mouth movements with dubbed dialogue, starting with Maxton Hall.
Flying Bark Productions has revealed a hybrid 2D/CG production approach for Avatar Aang, combining hand-drawn expression with cinematic cameras and CG tools.
SIGGRAPH 2026 highlighted the growing convergence of computer graphics, games, VFX, AI, neural rendering and immersive production.
Disney’s live-action Moana used real-time production visualization to help filmmakers see digital environments and characters while filming.
Unreal Engine’s real-time rendering developments continue to narrow the gap between game engines and cinematic production workflows.
Vine FX delivered 150 VFX shots for Enola Holmes 3, combining invisible effects, animated typography, LiDAR-driven destruction and period clean-up.
Pixar’s original feature Gatto follows a black cat through Venice, creating a rich CG challenge involving water, architecture, atmosphere and stylised animation.
Belgian studio Fabrique Fantastique is developing Juul, a CGI feature aimed at young adults and adults and built around magical realism.