3D modeling, texturing, lighting, rendering, animation and digital world building.
Gotham Group and Toonstar plan up to 12 original animated series using digital-first production technology and direct-to-audience distribution.
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Explore the Dispatch animation pipeline, Storyboard Mode and how 2D art, toon-shaded 3D, Maya, Nuke and Unreal Engine work together.
Discover how Framestore reconstructed 2010 Manhattan, created a destroyed CG Empire State Building and delivered post-apocalyptic VFX for Dead City Season 3.
Canva Craft uses a two-stage AI image-generation process that plans composition before rendering, aiming for better layout, typography and editing control.
Image Engine's new Mandalorian & Grogu VFX breakdown showcases 154 shots, CG creatures, environments and action work, including Gatori and a giant…
HézFX is a muscle-simulation plug-in in development for Maya and 3ds Max, designed for character deformation and animation workflows.
Explore how Houdini Solaris, Karma XPU and ocean tools helped create a cinematic glowing-water cabin scene.
Tripo P2.0 and Astra explore a connected AI 3D workflow spanning asset generation, modeling, rigging and animation.
See how Gameloft recreated Bluey's 2D visual style in a 3D game using custom shaders and character-art techniques.
Adobe Substance 3D Painter 12.2 introduces more direct control over texture-baking cages, along with improvements to polygon selection and viewport transparency.
A production breakdown explores how modelling, procedural tools and Unreal Engine 5 help build an alien environment that changes through terraforming.
A layered approach to water materials, animated geometry and foam can create dynamic stylized effects for games and cinematic sequences.